![]() His world is thrown into upheaval, and the only one he trusts is Merritt. Keir doesn’t know why someone wants him dead until fate reveals his secret connection to one of England’s most powerful families. ![]() One: don’t fall in love with the dazzling Lady Merritt Sterling. They couldn’t be more different, but their attraction is powerful, raw and irresistible.įrom the moment Keir MacRae arrives in London, he has two goals. But then she meets Keir MacRae, a rough-and-rugged Scottish whisky distiller, and all her sensible plans vanish like smoke. So far, she’s been too smart to provide them with one. ![]() Lady Merritt Sterling, a strong-willed young widow who’s running her late husband’s shipping company, knows London society is dying to catch her in a scandal. Reading Challenges: Holly's 2021 Goodreads Challenge, Holly's 2021 Historical ChallengeĪmazon | Barnes & Noble | The Ripped Bodice | Google Play BooksĪn enthralling and steaming romance between a widowed lady and a Scot on the run-who may have connections to one of London's most noble families. Also in this series: Cold-Hearted Rake, Devil in Spring, Devil in Spring, Hello Stranger, Devil in Spring (The Ravenels, #3), Devil's Daughter (The Ravenels #5), Devil's Daughter, Chasing CassandraĬliffhanger: View Spoiler » No « Hide Spoiler ![]()
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![]() ![]() How did you first come up with the idea of setting a series in the world of horse breeding and horse racing? LB: I loved the first book in the Romance of the Turf trilogy, A Gentleman’s Game. Theresa: Thank you for hosting me, you wonderful lady! It’s been such a treat to get to know you online and read your books, then meet you in person at a conference last summer. The latest in her Romance of the Turf series, Scandalous Ever After released this week. I’m also a big fan of her clever and utterly swoon-worthy novels. **EDITED TO ADD – Winner of contest announced in comments and on FB** I’m delighted to host historical romance author Theresa Romain on the blog today! I met her in person at a writer’s convention and immediately knew we had to be friends–I mean just look at that smile. ![]() ![]() ![]() ![]() Background Īristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. Among scholarly debates on the Poetics, the three most prominent concern the meanings of catharsis and hamartia and the question of why Aristotle appears to contradict himself between chapters 13 and 14. Īlthough the text is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions". The surviving book of Poetics is primarily concerned with drama the analysis of tragedy constitutes the core of the discussion. Difference in how the narrative is presented: telling a story or acting it out. ![]() Difference of goodness in the characters.Differences in music rhythm, harmony, meter, and melody.The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: : ix In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet author maker," ποιητής.Īristotle divides the art of poetry into verse drama ( comedy, tragedy, and the satyr play), lyric poetry, and epic. For other uses, see Poetics (disambiguation).Īristotle's Poetics ( Greek: Περὶ ποιητικῆς Peri poietikês Latin: De Poetica c. 335 BCE ) is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory. For the theory of literary forms and discourse, see Poetics. This article is about the treatise by Aristotle. ![]() ![]() Please be aware that the delivery time frame may vary according to the area of delivery and due to various reasons, the delivery may take longer than the original estimated timeframe. ![]()
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